Poems from Eve's Red Dress

The Missing Wife

Wife and dog missing.
Reward for the dog.
—bumper sticker on a pickup truck

The wife and the dog planned their escape
months in advance, laid up biscuits and bones,
waited for the careless moment when he’d forget
to latch the gate, then hightailed it.

They took shelter in the forest, camouflaged
the scent of their trail with leaves.
Free of him at last,
they peed with relief on a tree.

Time passed. They came and went as they pleased,
chased sticks when they felt like chasing sticks,
dug holes in what they came to regard
as their own backyard. They unlearned
how to roll over and play dead.

In spring the dog wandered off in pursuit
of a rabbit. Collared by a hunter and returned
to the master for $25, he lives
on a tight leash now.
He sleeps on the wife’s side of the bed,
whimpering, pressing his snout
into her pillow, breathing
the scent of her hair.

And the wife? She’s moved deep into the heart
of the forest. She walks
on all fours, fetches for no man, performs
no tricks. She is content. Only sometimes
she gets lonely, remembers how he would nuzzle
her cheek and comfort her when she twitched
and thrashed in her sleep.

Last Dance

The summer my father waltzed
out of our lives,
I found an old hat buried
in my mother’s closet—
black satin, stiff with age,
stitched with tiny silver sequins.

My mother, still in flannel robe,
hair uncombed, said it was the Charleston hat
she’d worn as a girl when she danced
to the big jazz bands—years before
she met my father. Show me, I said.

She put it on and began to dance,
steps tentative—a convalescent
learning to walk again. Her arms
flapped like bird wings. Her hands
made circles in the air. She knocked
her knees together, in, out, in, out.

Faster and faster, feet beat time
to music I couldn’t hear. Sequins
sparkled in her hair. She twirled, spun,
and seemed to fly, for that moment
airlifted out of her life.

She threw off her robe and shimmied.
Rows of fringe swayed across her red satin
chemise. Feet kicked air. Sparks shot out
from under her shoes. My mother
danced on fire. The crowd moved back
to give more room. The band played
just for her. All eyes were on my mother,
and all around her fire, fire, fire.



My Husband Discovers Poetry

Because my husband would not read my poems,
I wrote one about how I did not love him.
In lines of strict iambic pentameter,
I detailed his coldness, his lack of humor.
It felt good to do this.

Stanza by stanza, I grew bolder and bolder.
Towards the end, struck by inspiration,
I wrote about my old boyfriend,
a boy I had not loved enough to marry
but who could make me laugh and laugh.
I wrote about a night years after we parted
when my husband’s coldness drove me from the house
and back to my old boyfriend.
I even included the name of a seedy motel
well-known for hosting quickies.
I have a talent for verisimilitude.

In sensuous images, I described
how my boyfriend and I stripped off our clothes,
got into bed, and kissed and kissed,
then spent half the night telling jokes,
many of them about my husband.
I left the ending deliberately ambiguous,
then hid the poem away
in an old trunk in the basement.

You know how this story ends,
how my husband one day loses something,
goes into the basement,
and rummages through the old trunk,
how he uncovers the hidden poem
and sits down to read it.

But do you hear the strange sounds
that floated up the stairs that day,
the sounds of an animal, its paw caught
in one of those traps with teeth of steel?
Do you see the wounded creature
at the bottom of the stairs,
his shoulders hunched over and shaking,
fist in his mouth and choking back sobs?
It was my husband paying tribute to my art.


Poetry Southeast literary journal southern poetry Chris Tusa

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